Actors and stakes
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Actors and stakes a map of the compunications arena (computers-and-communications) by Kurt Borchardt

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Published by Harvard University, Program on Information Resources Policy in Cambridge, Mass .
Written in English


  • Telecommunication -- United States,
  • Computer industry -- United States

Book details:

Edition Notes

StatementKurt Borchardt
SeriesWorking paper / Harvard University, Program on Information Resources Policy -- no. W-78-8
The Physical Object
Pagination18 leaves ;
Number of Pages18
ID Numbers
Open LibraryOL14455836M

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Cast Iron Stake Through the Heart. by Jodi Rath,Rebecca Grubb. The Cast Iron Skillet Mystery Series (Book 4) Thanks for Sharing! You submitted the following rating and review. We'll publish them on our site once we've reviewed them. Actors know all about "raising the stakes" in a scene. Understanding that concept for a professional presentation can turn your mild-mannered talk into a powerful storytelling speech. Ovation Team Member Elizabeth Levey chimes in today with her thoughts on how her acting experience has made her a better storyteller. Here are Elizbeth's 4 points.   The more value this object or objective has, the more you can push the stakes higher. And the higher, the better. That way, any conflict introduced that threatens will be big. Big threats, high stakes, great risks—all make for solid novel structure. So build your corner pillar of conflict with high stakes with deliberation and careful. In acting classes, actors hear a lot about "stakes." Stakes need to be "high", stakes need to be "raised", the scene needs "urgency". Unfortunately, though, actors often aren't given a whole lot of help with how to accomplish these instructions. "Raise the stakes!" At worst, actors walk away with the notion.